Charles Byrd Story Trail: Creative Writing Workshop

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Charles Byrd Story Trail workshop

Charles Byrd Story Trail workshop

Charles Byrd Story Trail: Creative Writing Workshop
Tuesday, 16th October 7:30 PM – 9:30 PM
The Gate, Keppoch Street, Roath, CF24 3JW Cardiff
Free entry

A creative writing workshop based on the paintings of Charles Byrd. Come along and view these fascinating paintings of a much-changed and disappearing cityscape, share stories, explore the history of Cardiff and write a short story prompted by one of the paintings.

The workshop is a madeinroath2018 event led by Sharon Magill (Artist Trails, artist and digital story practitioner) and Rachel Carney (poet, book blogger and artist) http://createdtoread.com

Cardiff University exhibition

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I’m really proud to announce that the Ystrad Stories project is now on display at Cardiff University.

This final exhibition brings the project to my workplace, Cardiff School of Journalism, Media and Cultural Studies – JOMEC and to where my digital storytelling journey began.

The paintings, stories and a summary of the project are displayed outside Bute library at the Bute Building, King Edward VII Ave, Cardiff CF10 3NB until Sept 2018.

 

Ystrad Stories Trail launch event

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We had a fantastic day as the Ystrad Stories Trail was officially launched on Saturday 22nd July. A group of eight walked the trail using either the iBook or audio guide to hear the stories and view the paintings.

It was a dry start but eventually the rain came, showers first and then heavy rain but we persevered and got as far as the lower end of Penrhys Road and the stories written in response to Ernest Zobole’s painting Penrhys (c1951).

Thankfully we got a lift to the Llanfair Uniting Church at Penrhys where the Avant Cymru performers, artist Ruth Sidgwick and others were waiting for us. With a cup of tea and a little drier, the performance took place. Three of the Ystrad Stories were reworked into a narrative celebrating the past and questioning the future of the Rhondda for the younger generations.

Finally artist Ruth Sidgwick provided creative goodies for us to create images and drawings to represent the adventures of the day.

Ystrad Stories Trail update

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We are really hoping for dry weather for the Ystrad Stories Trail event on Saturday 22nd July. However it does look like rain so changes maybe be necessary on the day.

If you are walking the trail wear suitable clothing for the weather conditions. I will be at the start of the trail, Partridge Square, from 10:30 whatever the weather.

If it is raining the Ystrad Stories performance by Avant Cymru will be relocated to the Llanfair Uniting Church, Penrhys. Only a minutes walk from Penrhys amphitheatre. Just follow the path next to the bus stop into the centre of the estate.

The performance starts at 1pm.

Bring your picnic. That church has a cafe and the Ystrad Stories project is also on display.

Llanfair Uniting Church Exhibition

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Ystrad Stories Exhibition flyer_Llanfair_V2

The Ystrad Stories project continues its tour of the Rhondda with an exhibition at the Llanfair Uniting Church, Penrhys. The exhibition coincides with the launch of the Ystrad Stories iBook and the trail through the Rhondda.

All the stories are displayed alongside the images that inspired them.

Weds 19th July to Thursday 27th July.

Llanfair Uniting Church, Penrhys, CF43 3RH

Opening times:
Weds 19th July – 9am – 1pm
Thurs 20th July – 9am – 1pm
Sat 22nd July – 11am – 1pm
Sun 23rd July – 11am – 1pm
Thurs 27th July – 11am – 1pm

Llwynypia

Ystrad Stories
Llwynypia, Ernest Zobole, c1953

Llwynypia, Ernest Zobole, c1953

Ernie Zobole and the Square

Author: Rob Cullen

Written in response to ‘Llwynypia’ Ernest Zobole, (c1953)
Amgueddfa Genedlaethol Cymru – National Museum of Wales

In the beginning there was no square it was just a tram stop. Later on there was a “zebra crossing” on Partridge Square. There were no zebras. The tips overlooking Ynyscynon and Pontrhondda stood higher than the houses. A street lamp stood in the centre of a square that was never a square. The old tin shed Saint Cynon’s Church on one corner never stood on the corner of the square that was never a square. And some people of the square were strangers to reality too. Old man Christmas, a foundling left at the workhouse door that loomed over the square was given a job, lived and died in the place he’d been found that became a hospital. Hospitable. Poor mad Mansel stood directing traffic until he caused too many accidents and was taken away. “Nancy” boy Lewis 6 foot 6 inches and size 6 shoes. A retired copper of a gay persuasion ran the grocery shop on one corner and wrong changed you with a smile. Jack Fish the betting office next door with its black and white sign for dog biscuits on the pine end wall and opaque windows preventing wives looking in to see their husbands laying bets with the milk money. Prim and proper Owen’s Grocers on the other corner and everything weighed to the exact ounce by the thin hands of Deunwen. And the mock Chinese pagoda bus shelter complete with ladies and gents toilets absent too. A square named after a bird that nobody had ever seen on a square that was never a square. In reality a legendary provocation to the tyranny of perspective.

Some Trees and Snow

Ystrad Stories
Some Trees and Snow, Ernest Zobole, 1978

Some Trees and Snow, Ernest Zobole, 1978

Picture Story

Author: Vera Button

Written in response to ‘Some Trees and Snow’ Ernest Zobole, (1978)
Amgueddfa Genedlaethol Cymru – National Museum of Wales

The picture of the train with mountains rising up from it, reminded me of when we traveled with a circus in South Africa and all the artistes lived on the train. Our wagon was always at the back of the train and it was very old, wooden and had a balcony at the rear, a bit like the old westerns era type.  Our family had one half of one wagon which consisted of three whole compartments and a half, plus the ‘luggage’ racks area which became part of the kitchen. Many of the places we visited were named after the beautiful areas of Scotland, England and Wales and they really did look like them. They were probably named by people from those areas in the first place.

Once, when we were going through the Drakensburg Mountains, we had fabulous vistas and scenery to take your breath away. Sometimes we had two engines on the front and the whole train would be linked, and as it was almost a mile long we’d be able to see the rest of it when on the bends and climbing. Once, it became too much for the engines, so they stopped, and uncoupled our wagons, leaving us parked on the side of the mountain until an engine could be sent back to ‘rescue’ us! Zobole’s picture reminded me of this episode.

We had many exciting adventures including a train crash in the Kruger National Park and amazingly, this painting revived many of them.

Some Trees and Snow

Author: Rob Cullen

Written in response to ‘Some Trees and Snow’ Ernest Zobole, (1978)
Amgueddfa Cymru – National Museum Wales

The painting is of an Ystrad, Rhondda night time view. And beneath the puffed white clouded sky the tree bloomed slopes of Glyncornel covered in snow is dissected by the New Road and studded by the orange reflection of neon on the white road and the elm trees planted at regular intervals. An old style green train runs like a long spangled snake along the valley floor. It could be going or coming to Cardiff. Or to and from the outside world. Each compartment is lit with the yellow glow of night time. Imaginations realm. Maybe it’s a dreamscape made unreal.

Between the road and the railway the river flows. The river is not shown but hidden by the suggestion of slag heaps. The valley floor is wide here. Once river meadows stretched from Ystrad to Pontrhondda and fields of hay, wheat and barley were grown. When I was a child between the river and the road the tumbled down stone walls still marked the outline of the Lilly White, an old mill. A mill race that still flowed deep and still. A place we dared each other to wade. Our shorts rolled as high as they could go. In the fluid murk, water-scorpions fed on tadpoles and dragon fly nymphs prayed on our toes.

But where did Ernie play as a child? Maybe the Lamb Woods in Bodringallt. Maybe always on the outside looking in. Always standing at the doorway as if he is neither here nor there. Maybe he plays in dream.

Landscape at Night with Woman at Window

Ystrad Stories
Landscape at Night with Woman at Window Ernest Zobole 1980s

Landscape at Night with Woman at Window Ernest Zobole 1980s

Innocents and Accidents

Author: Carrie Francis

Written in response to Ernest Zobole, ‘Landscape at Night with Woman at Window’ (1980’s).
University of South Wales Art Collection Museum

The harvest Moon of autumn is a constant, distant, yet familiar friend. Her only friend. It wasn’t as though his human counterparts hadn’t offered, but there were times when Old Man Moon was the only company she desired, because he showed her things the people of the valley couldn’t.

It was these nights she sat in her bedroom window, curtains wide open and Old Man Moon blinked his greeting before lighting up the streets and mountains. Houses and trees glow ethereally in his beams, and one by one, the Innocents begin to materialise from the gloom, their forms glowing with pure light, walking the streets hand in hand, side by side or chasing one another. They are untarnished, and will remain so.

Then the Accidents emerge from the shadows to join them, walking slowly, limping.

Figures of all shapes, size and age, they stroll alongside the Innocents in the beams of Old Man Moon, their soot black forms a stark contrast. They are welcomed, for they are all friends, and only they can touch each other. Innocents of small stature leap into the arms of many an Accident, greeted with a long forgotten kiss.

As she fingers the curtains, she can see her husband and son greeting one another, both Accidents, covered from head to toe in coal dust. It had been six months since they were both killed down the mine, and here Old Man Moon offered her a way to see them again, painless and free.